Last summer, while visiting New York City with my family, we stumbled upon a remarkable space by sheer accident. We had just ascended to the top of the World Trade Center, marvelling at the breathtaking views, and were making our way out when we found ourselves in the Oculus—a massive transit hub and shopping centre that’s part of the reconstructed 9/11 memorial site.
Designed by the Spanish architect Santiago Calatrava, the Oculus was intended to evoke a child’s hands releasing a dove, symbolizing peace and renewal. Its name comes from the “eye” in its main atrium, which opens to the sky above, allowing light to pour into the space. The design feels almost otherworldly, a sharp contrast to the heavy, somber atmosphere of the Ground Zero memorial just steps away.
Emerging from the gravity of the memorial, the Oculus felt like a breath of fresh air—an architectural embodiment of hope. Its soaring white ribs and open, airy design seemed to lift the spirit, reminding me of the transformative power of architecture. It was one of my favourite places we visited, not only for its beauty but for what it represents: the ability of design to create meaningful experiences and evoke profound emotions.
As someone working in design at Gravity, the Oculus left me deeply inspired. The experience of walking through this space prompted my realization that architecture is more than just structures we inhabit, but a story evoked through space. It reinforced my belief that human experience should always be the main consideration behind every design, as storytelling is what gives meaningful spaces their lasting purpose and soul.
Julianne Brewer
Architectural Technologist