Walking through the leafy grounds of University College Cork on a warm September afternoon, we were looking forward to visiting The Glucksman. I had noticed it in a travel guide, and while visits to Europe are usually thought of as an opportunity to see old things, I've often found that I've discovered a newer world there.
The Lewis Glucksman Gallery in Cork was completed in 2004. It was designed by the renowned Irish architectural firm O'Donnell + Tuomey, known for their innovative and context-sensitive designs. The building has received numerous awards for its architecture, including the Royal Institute of British Architects (RIBA) Award.
As we walked up the entry path from the River Lee, the building came into view. Perched lightly above its surroundings, the building seemed to float—its curvilinear, modern massing contrasting beautifully with the mature trees and historic campus. The design, with its wood-paneled façade and channel glass reveals, seemed almost weightless, as though it's final placement within the natural setting of the campus was still pending.
The entry is a transparent glass block that was slid into the horizontal reveal between the podium below and the gallery above. Within this two storey space, a long stair invited us up into the exhibition spaces.
Each gallery has a large window that directed our attention to different vistas of the tree canopy, campus or city. Broad wooden stairs coaxed us up from gallery to gallery ultimately to a terrace that offered views across the River Lee Valley.
Exhibitions included Groundwork, which invited us to reflect on humanity’s connection to the land. The pieces ranged from sweeping landscapes rendered in oil to intricate sculptures made from natural materials. Another exhibition, Stories of Art, was equally captivating. It wove Irish narratives through a variety of media, linking personal histories to broader cultural contexts.
After exploring the galleries, we returned down to the entry plaza and passed by the café. Nestled by the riverside, it offered a tranquil spot to sit and process the experience. The sound of the rustling leaves blended with the clink of cutlery and the hum of conversation, creating a comfortable, welcoming atmosphere to reflect on the visit.
We left along the river path to enjoy the rest of the campus. From across the meadow, we paused to look back at the The Glucksman expecting to see it floating impossibly above the green. It had, however, disappeared; we couldn't see it through all the trees.
Stephen Barnecut
Architect and Principal at Gravity Architecture